The Do-Its play Free Comic Book Day at The Comic Bug!

Look! Up there in the sky — it’s a bird, it’s a plane… It’s Free Comic Book Day at The Comic Bug!

Saturday, May 4 marks that glorious day when kids and comic nerds of all age and creed congregate to revel in the triumph of free comics! The nationwide event took form in 2002, and by 2004 our own local Comic Bug (located at 1807 1/2 Manhattan Beach Blvd.) held their grand opening during Free Comic Book Day, and have since remained one of the top locations for the event in the Los Angeles area.

Local super hero and Comic Bug co-owner Mike Wellman elaborates: “Free Comic Book Day is an annual event where all of the major publishers put forth their best comic book efforts to be handed out to new readers. This year, over two-dozen comic creators (including The Avengers, The Simpsons, Deadpool, and more) are scheduled to appear, as well as several professional costumed heroes (known as cosplayers). Over 5,000 comics will be handed out, and at least 2,000 attendees are expected over the course of the day.”

Redondo Beach, CA native Sean Johnson (scene maker and prolific drummer of the South Bay band Vaudeville, as well as The Damselles & The TC4, and the Shirley Rolls) has taken charge of the Free Comic Book Day after party, where his new band The Do-Its will be performing at the shop.

The Do-Its, who perform Free Comic Book Day after party at The Comic Bug in Manhattan Beach, Saturday, May 4. Photo by Ash Kramer.

They are (other than a bunch of asinine jokesters): Boytoy (vocals, trumpet, hand clapping), Stix (drums), Baron (bass, mini-tambourine, art director), and Peacock (guitar). When they’re not being excessively absurd and hilarious by describing their music as “Sriracha-flavored Doritos with extra cheese soul powder,” The Do-Its have also more accurately related their female vocal-driven tunes as “Rock and/or Roll with intuitive sass-talk and throaty Blues.”

While The Do-Its are an LA-based band by matter of residence, there’s not really anything like them in the South Bay and they’ve found broader reception in Orange County.

Stix says, “We’ve tried to avoid Los Angeles like the plague. Orange County seems to dig it, though. We don’t care too much about regions, if people wanna have fun we’ll help to provide it.”

Boytoy adds, “You know how scared the citizens of Gotham were when Batman first showed up? That’s how Los Angeles has responded to The Do-Its. And they should be scared. And we will be back.”

The Do-Its perform from 5-8 p.m. at The Comic Bug this Saturday, May 4 in Manhattan Beach, CA during the Free Comic Book Day after party. The annual event runs 11 a.m. to 5 p.m. The shop can be reached at 310-372-6704. The band also plays The Redwood Bar in LA on May 10, and the Baldwin Park Relay For Life on May 18.

*Originally written for print in the Easy Reader newspaper by Jeff Vincent.

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DHR at Free Comic Book Day at The Comic Bug!

Local superhero and DHR supporter Mike Wellman of The Comic Bug in Manhattan Beach, CA told us we should have a booth at Free Comic Book Day this Saturday, May 4, where The Do-Its will be performing during the after party. And so we shall.

Free Comic Book Day is a nationwide event held in comic shops across the country (and around parts of the world), where the shops and major publishers hand out thousands of free comics to attract new readers and celebrate general comic book culture. This year at The Comic Bug, creators of The Avengers, The Simpsons, Deadpool, and many more will be present. And in the spirit of the day, as old school comic book nerds ourselves, we’ll be handing out an original DHR comic strip (created by Jake Pharr of DHR himself) to the first 1,000 souls to get their lucky claws, webs, tractor beams, tentacles, and hands on ‘em. May the force be with you!

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A DHR quickie with Carl Palmer (of Emerson, Lake & Palmer)

In the fruitful years of 1969 and 1970, maniacal keyboardist and composer Keith Emerson was fastidiously busy in a band called The Nice, Greg Lake was preoccupied as bassist, vocalist, and founding member of the astonishingly deranged King Crimson, and Carl Palmer, after having acted as touring drummer in The Crazy World Of Arthur Brown, was hammering away heavily in the Atomic Rooster. At the turn of the decade, the intertwined and overlapped sticky web that was the English rock and roll scene found the 3 musicians forming one of the earliest and most enduring Progressive rock supergroups in history: Emerson, Lake & Palmer.

From their debut LP in 1970 to their fifth full-length release in 1973, ELP had already carved out a place in the annals of music history as one of the most revered and successful bands to help define an entire genre. Progressive rock, or Prog rock, has a tendency to tantalize the imagination into categorizing almost any creative rock and roll band into the genre – from Jethro Tull to Yes, and just about any art rocker in between. However, a more concise, and perhaps traditional, description of Progressive rock is: Jazz and Classical meet Rock n’ Roll. (Psychedelic influence usually wasn’t too far behind.) ELP excelled at this rock fusion, which enjoyed its heyday between 1969-1974.

Following the dissolution of ELP in 1980, Carl Palmer went on to release his first solo album during the same year, record on a number of other artists’ records (including Roger Daltry and Mike Oldfield), and join 80s supergroup Asia (also featuring former members of Yes, King Crimson, Roxy Music, and Uriah Heep). The 90s and early 2000s saw reunions of both ELP and Asia, a stint with an outfit called Qango, and another handful of Carl Palmer Band solo albums (which are also sometimes credited to the Carl Palmer Legacy, or Carl Palmer’s ELP Legacy).

Carl Palmer. Photo by Lisa Miller.

With such a colorful pedigree spanning so broad a range of musical and social trends across the decades, I had to ask Carl Palmer which was his favorite era.

“I don’t know actually,” he replied to my surprise. “I always live in the present, so I can’t really choose anything. I mean, there’s moments which are landmarks, there are moments which have been life-changing, but I’m living in the future really. I mean, right now I’m pretty content and happy with the way things are going – working with my own band The Carl Palmer Legacy, working with Asia… You know, right now things are as good a time as any.”

Aside from drumming with the revitalized Asia, Palmer has been touring the world with his own band and will be stopping here in the South Bay on April 14 at Saint Rocke in Hermosa Beach during his fourth American tour as The Carl Palmer Legacy. With Paul Bielatowicz on guitars, and Simon Fitzpatrick on bass, the current sound is sure to take old fans back to the classic roots.

“I enjoy playing in trios,” admits Palmer. “Emerson, Lake & Palmer was a trio, the Atomic Rooster was a trio, The Crazy World Of Arthur Brown was a trio; the only trio I’ve not played in is Asia.”

Expounding upon the sound, he continues, “It’s instrumental music. There’s a certain amount of Prog rock involved, because I am playing some classic pieces which I wrote and recorded with Emerson, Lake & Palmer… we are performing the whole of Tarkus, which is roughly 15 minutes long; we’re performing Knife’s Edge, which was from the very first Emerson, Lake & Palmer album; we’re playing The 2nd Impression – Welcome back my friends to the show that never ends… The 2 epic pieces we play are Tarkus and Pictures At An Exhibition – which is about 20 minutes long… On top of that, there’s a lot of classical music involved… So there’s quite a wide variety, a lot going on. It should be a lot of fun.”

Carl Palmer (of Emerson, Lake & Palmer) plays Saint Rocke in Hermosa Beach, CA on Sunday, Apr. 14 at 7 p.m. with opening support from Fertitta & McClintock. Tickets are $25, but you can save $5 with online purchases by entering the promo code HIPPIE (all caps).

*Originally written for print in the Easy Reader newspaper by Jeff Vincent, DHR.

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Download Language of Shapes!

Out of South Korea, Language of Shapes has landed on DHR. They call it “Psych-fi, sci-folk” coming from “A psychedelic rainbow-fire-powered mandolin band, with bass guitar, djembe, and the occasional flute.” We call it delightful, bad ass, and necessary.

Listen here, pick up a download copy here, and decide for yourself.

 

 

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Dirty Beer Pairing Series, vol. 13: Dogfish Head Birra Etrusca Bronze & Zenda Marie

For the latest installment of DHR’s Dirty Beer Pairings, where we pair beer with music, we’ve discovered a happy meeting between Dogfish Head Birra Etrusca Bronze and Zenda Marie.

We’re not entirely sure at this time, but while we believe the folk duet Zenda Marie was active in Los Angeles for a bit, it appears they’re currently based around the suburbs of Sacramento. At any rate, their debut LP Ancient breathes with the eternal resonance of an ancient magic born from the same essence found in the many moons which have passed since before our ancestors brewed sacred elixirs ‘neath the very same stars. Which is why the album lends perfect companionship to the latest in Dogfish Head’s Ancient Ales -  Birra Etrusca Bronze. It’s a complex and delicious ale worthy of the same slow-sipping contemplation and reflection (not just of the beer itself, but all which has led up to it) required of Zenda Marie’s Ancient LP. Let Birra Etrusca hijack your taste buds and warm your soul while Zenda Marie hijacks your heart and warms your body.

Listen to Zenda Marie Ancient now!

From the bottle of Birra Etrusca: “Dogfish Head worked with our Birreria Brother Brewers (Birra del Borgo and Baladin) and biomolecular archeologist Dr. Patrick McGovern to create this Ancient Ale. We made a research pilgrimage to early Etruscan warrior tombs in the hills and along the coast of Tuscany. The 8th c. B.C. recipe is based on chemical and botanical evidence of tree resins; beeswax and honey; whole pomegranates; hazelnuts; grapes; and apples found inside ancient jars and drinking-bowls It represents the prehistoric mixed beverage of Italy before the arrival of wine. Our version is fermented with bronze, a popular material in brewing and cooking in the Etruscan era.

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Easy Reader Froth Awards: Beer Experince & Gastro Challenge

Saint Pat’s SUNDAY at Saint Rocke in Hermosa Beach, CA is The 1st Annual Easy Reader Froth Awards: Beer Experience & Gastropub Challenge, sponsored by Hippy Tree and Dirty Hippie Radio. 5 local craft breweries will be paired with 5 local gastro chefs. You judge the pairings, keep the 8oz taster glass, and enjoy 3 bands bangin’ on banjo, mandolin, and fiddle. Celebrity “Top Chef” Brooke Williamson, as well as TMZ reporter Max Hodges will be on site. Yes, DHR had something to do with planning the event and booking the music, including Hang Dog Expression and Johnny Jump Up.

The event lasts 12-8 pm, and tickets are only $29. Use promo code FROTHY to save $5 online at http://saintrocke.com/show.cfm?id=95844&cart. And stay away from shitty green beer!

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Holy Faded Denim, Batman! It’s Cab 20′s new LP!

Holy Faded Denim Vibrations, new Cab 20 LP out on Mock Records. Album cover photo by Jeff Fribourg.

*Originally published in the Easy Reader newspaper on Valentine’s Day 2013. By Jeff Vincent, DHR.

It’s Valentine’s Day again, and this time around let’s be sure your arsenal of love is fully equipped to knock the socks clean off that special someone. DHR’s got you covered. Let’s see… Chocolate. Yeah, gotta have chocolate. Flowers. Yep, bingo. Card. Oh yeah, can’t forget that. A shower. Hm, better fit one in for sure. A shave. Okay, just this once. Your sharpest, slickest faded denim jacket. Well, gee, I don’t know, that might work; yeah sure, why not? Ah, and of course, Cab 20′s brand new LP Holy Denim Faded Vibrations will have your sweetheart doing backflips of pure rock n’ roll ecstasy! Yep, don’t see any socks anywhere; told ya!

That’s right, the El Segundo-based rock n’ roll band Cab 20 is back with a slick new hunk of vinyl, the full-length debut on their label Mock Records. Following the 2010 release of their debut LP Dirty Smiles, the Cactus EP in summer 2011, and a lineup change in 2012, the matured graduation of a young band whose front man is still only 20-years-old was captured in a live performance last fall at Loyola Marymount University’s famed KXLU 88.9 FM Los Angeles, and released as “Doom Gloom & Happier Things: Live at KXLU 11/16/12.” The new record, officially dropping Feb. 19, acts as a 10-track milestone preserving the band at its peak during its second incarnation.

After two different lineups as a three-piece, Cab 20 has reacquainted with its original drummer and expanded with an additional guitarist. The new four-piece sound with Bert Hoover (guitar, vocals), Jason Silengo-Almanza (bass, vocals), Erik Lake (guitar), and Zack Cosby (drums) was captured on Doom Gloom, while the preceding lineup of Hoover, Silengo-Almanza, and Eric Contreras (drums) makes up Holy Denim Faded Vibrations. The new LP is sort of the band’s three-piece masterpiece encapsulating a year’s worth of work before moving in a slightly different direction.

“In the words of Ozzy [Osbourne], we were going through changes,” said Hoover, laughing.

He went on to describe a lack of communication between the three-piece, and a replenished chemistry with their new/old drummer.

“And then I was hangin’ out with Erik Lake at Mock Records, and he would occasionally come in and jam with us,” he continued, “and we just kinda decided to roll with it and then started writing a bunch of songs, like you do when you find a new member – you know, it’s kinda like the honeymoon period of being in a band.”

But it wasn’t necessarily a smooth consummation, as their first show was a disastrous wall of mud. They first needed to figure out how to play with four members and rework their old songs to that effect. It’s a good thing they did, because they were soon and unexpectedly invited to open for the heavy hitting band Black Rebel Motorcycle Club (which had Hoover dancing around like a teenage girl, as they happen to be one of his all time heartthrobs). After playing to a sold out crowd in Santa Cruz for BRMC and killing it, that’s when the new lineup got motivated.

Lake, the new guitarist with the unique perspective of having been a fan of the band before eventually finding himself in the band, said, “For me personally as a musician, it’s been one of the best experiences I’ve ever had – the first band where everyone’s into it all around… great communication… Bert’s the hardest working musician that I’ve ever met, and that keeps everyone going.”

Members of Cab 20 said their new sound still sounds like Cab 20. Silengo-Almanza claims, “It’s the same of what people used to like, just more of it.”

Hoover agreed. “I think the same reasons anyone would’ve loved us before are still present in the band now… We’re just a lot tighter and compact, but the sound I think has doubled. There’s like depth to it now, it’s not just loud guitar and loud bass and loud drums that sound like they’re trying to fight each other. It’s working together, and the sound is bigger, but it’s not too much, there’s just more to it. It’s a little more straightforward, it’s not as loose as it used to be. It’s more compact and driving.”

“Definitely not as loose as it used to be,” agreed Silengo-Almanza. “It feels like a completely different band sometimes, but it’s still the same band cuz we’re doing a lot of the same songs. Just the overall sound and feeling has changed, it’s a lot thicker and heavier and it’s tighter. It’s deviating away from being anything close to psychedelic, which some people had described us as before. It’s not a jam band, it’s like a real, legit, tight, functioning machine. It’s awesome.”

“It’s rock n’ roll,” said Hoover. “It’s not post punk, it’s not psychedelic, it’s not metal, it’s not desert rock, it’s not dream pop. It’s rock n’ roll. It’s not just rock, it’s rock n’ roll – it’s always gonna be.

“It sounds like Holy Denim, but taken a step up. Here’s Dirty Smiles waaay down here, and here’s Holy Denim [up here]. And now where we’ve come to has lifted that, allowed that to breathe and become the next entity of Cab 20, phase 3.”

Silengo-Almanza, just before rubbing jalapeño pepper-laced fingers in his eyes from the salsa he’d made earlier in the day, also said, “From a cooking perspective, it would be kind of like if something already tasted really good and you already liked it and you were happy with it, and then you threw in some hot sauce and now it tastes way better.”

“But it’s not different,” adds Hoover, “it just tastes better now.”

Cab 20 plans to release a couple vinyl 45s on Mock Records this year before recording their next album as a four-piece. They’re kicking off a West Coast tour with a record release party at the Comic Bug in Manhattan Beach Feb. 16 at 5 p.m., with support from local band Froth. To order copies of Holy Denim, go to www.cab20music.com/, a limited run of faded blue vinyl are available. You can listen to Cab 20′s complete recorded output on DirtyHippieRadio.com, tuning you in to the independent music community.

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The ABIGAILS, songs of love and despair on DHR

Newer project from Warren Thomas (lead singer of Grand Elegance and tambourine player of The Growlers), fellow former GE mate Kyle Mullarky, Ellie Mae and co. brings a record reminiscent of the despondent beauty conveyed through Alexander “Skip” Spence’s Oar (1969).

Thomas’ lead vocals overlaying what the band refers to as “drunken nylon string twang and pilled out country fusion” embodies an LP which will have you bobbing along through the dregs of mirthless hope atop a black horse in a white suit.

 

Listen to The Abigails songs of love and despair right here, and catch them live at Burgerama II, day 1 on March 22.

 

 

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Windmills and Giants, the Hang Dog Expression LP

Hang Dog Expression performing at South Bay Customs in El Segundo. Photo by Dawn Von Flue.

As an outsider having come to know and enjoy this band well enough to share good laughs and cold beers in between sets over the years, I’ve absorbed sufficient perspective to determine that Hang Dog Expression is a total labor of love; but with considerably less emphasis on the labor than the love.

By no means are they lazy or anything; in fact, their work ethic is of the finest caliber. Nor is it a “too cool for school/delusions of grandeur” type thing. It’s just that they kind of don’t really care, in a classy way, while caring very much. It’s more about doing it right, when the time is right. Their music’s their music, and it’s good. They play when they feel inclined enough to play, or when the moment manifests itself serendipitously. And it’s all for the music and any man, woman, or child who digs it.

On one hand, aligning with their suave approach to being a band that’s more like a brotherhood of beer-drinking musicians –with Nichlaus Von Hulsebus (guitar, vocals), Neal Von Flue (banjo, musical saw, vocals), Brett Hall (guitar, xylophone), Tony Goodreau (bass, vocals), Robbie Ford (mandolin, harmonica), and (Sister) Kate Nugent (vocals and knitting needles)– this El Segundo folk outfit formed around 2002 and has in their decade plus only produced a handful of rusty demos, an EP, and finally an LP. On the other hand, they’ve transferred years of heart, soul, life, love, patience, and commitment into their debut full-length record Windmills and Giants, dropping Feb. 23 with a CD release show at South Bay Customs.

Windmills and Giants, the debut long player by Hang Dog Expression. Original cover art by Neal Von Flue.

Reflecting on the process leading up to the eventual album, Von Hulsebus says, “It was so great putting this album together. We played lots of local shows for our friends and family; and as that circle grew, they supported us by coming to shows and donating money to help us put it together. We played a bunch of 4-hour sets at The Patio in town, and took any show that would have us. We even played to a room full of cops and had the chance to play inside the library. It was all so much fun.”

Von Flue continues. “We recorded this album with Dave Copp at Tonehendge studio in El Segundo. He recorded our first EP [The Black Album] years ago, and it was a great experience. After that EP, we all went back and learned a lot about playing and recording, and were determined to make this one better.”

“I can’t deny the huge exhale from having this thing finished,” says Hall. “Scheduling conflicts aside, there was a lot to overcome during the recording period and it all just makes this whole experience more meaningful.”

Goodreau concedes, “The process was lengthy, because life really got in the way. I’m very proud of what we did.”

“It took us just about 2 years [to record the album] from start to finish,” says Von Flue. “…There was very little pressure to create a deadline.”

Hall says, “The record release show will be special in its own right. We not only get to celebrate this milestone at a place we consider home field, but we get to do it with all our friends and family who have supported us to this point. That’s very special to us.”

From 4-piece to 6-piece and year to year to year, Windmills and Giants is the current culmination of Hang Dog’s more than a decade journey, which has hardly come without growth and change.

“I’ve noticed a maturation,” says Hall. “Learning how to play as a group is not as easy as it seems… I think we’re at a point where we’re learning to refine our sound a little.”

“I feel like we get smarter about how to play together,” agrees Von Hulsebus. “We are always trying to figure out new things we can do with harmony and rhythm and dynamics… it’s important not to be a one trick pony, unless it’s a really good trick.”

And with a new(est) pony in the mix, Von Flue says, “I think the addition of Sister Kate [Nugent] was a huge shift towards the better. A lot like when Brett [Hall] got involved, things clicked together real smoothly and we all knew it felt right… Kate just filled in when she could the last couple years, but now we don’t know what we’d do without her!”

With an air of wistfully joyous relief worthy of the soul-soothing, spine-tingling brand of Americana-folk music they’re plucking out, Hang Dog looks around the bend. It’s not their style to look too far down the road though, but it’s hardly necessary when good things are riding shotgun with you.

“We’ve definitely been basking in having completed the album,” says Hall. “Outside of that, it’s week to week. We practice when we can all get under one roof; and when that happens, good things usually do as well.” Just as Von Flue had alluded, Hall reveals, “We’ve got a new batch of songs that I can’t get out of my head at times. I’m very excited for them to become set worthy.”

Rounding it out, Von Hulsebus says, “We have been writing a lot, we already have enough material for another album. We’re also looking for shows to play in new places and get the album out there… We are excited to do another recording, but we have some work to do first – time to play some shows and start saving to do it all over again.”

Von Flue adds, “I think some of us have a vague notion to make enough bread with this CD to pay for taking it out on a short tour. That’d be pretty hard since most of us are parents and family men (and women), but it’d be awesome to take it on the road for a short time. But, it definitely seems like another record is brewing; so we may just stay in El Segundo and record another!”

Aside from their release party and performing The First Annual Easy Reader Beer Experience and Froth Awards at Saint Rocke on Saint Patrick’s Day Sunday, Mar. 17, Von Hulsebus says there’s nothing else booked for now. “Generally, we just wait to be asked to play somewhere. It’s worked so far.”

Hang Dog Expression’s CD release show takes place at South Bay Customs in El Segundo (located at 115 Penn St.) Saturday, Feb. 23 with opening support from The Motorboats. All ages, no cover, doors at 7 p.m. They’re also performing at Easy Reader’s Beer Experience and Gastropub Challenge: The Froth Awards at Saint Rocke on Mar. 17. You can listen to Hang Dog Expression and The Motorboats on DirtyHippieRadio.com, tuning you in to the independent music community.

*Originally written for print in the Easy Reader newspaper by Jeff Vincent, DHR.

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DHR & Easy Reader presents: The Hollow Legs, Blac Jesus & The Experimentalists, and Saint James Band

Easy Reader and Dirty Hippie Radio have teamed up to co-procure and co-present some local shows, beginning with a monthly gig at Saint Rocke which kicks off next Wednesday, Feb. 27 at 8 p.m. The general idea is to cultivate a rich night circulating around good music and good beer, while pulling in a few striking bands from outside the immediate beach bubble. It is an experiment in expanding upon local culture… with The Hollow Legs, Blac Jesus & The Experimentalists, and Saint James Band.

Blac Jesus & The Experimentalists (listen here)

“We are firm believers in the miracle working of music through God’s blessing,” says Runson Willis (guitar, vocals) on behalf of himself and his band mates Francisco Morales (bass), Brian Perske (saxophone), and Daniel Fernandez (drums and percussion).

“So, I mean, I don’t really know exactly what type of music you would call that,” continues Willis. “But we play blues, soul, funk, and rock and roll… It’s really hard for me to categorize it… It’s like a lot of different stuff, but still from the same soul… We just play soul music, really. Music for the soul.”

Blac Jesus & The Experimentalists come to us from Pomona with a sound that’s difficult to categorize indeed. After listening to their Crimson EP, I once attempted to describe it as early Taj Mahal under a late 60s San Franciscan influence, revealing both psych and jazz-rock undertones with a dash of percussive Afro-Latin spice. And while the whole meal is served on a pious platter with the band’s blessings and prayers extended to anyone who’s meant to receive them, you wouldn’t exactly throw on a record and hear “religious music.” Their music is more effectual in its purpose than directly preachy.

Willis explains: “Our music is driven toward trying to inspire people to go and create, but create under the name of grace; and by that name is Jesus, man. It’s hard, but you know what, it happens and I’m so glad to be able to play this kind of music. God is good man… We wanna give thanks by just trying to inspire people, plant seeds of inspiration and hopefully people will be able to see the blessing that God has put on them… We all have purpose; we just need to open our eyes to see it.”




You may be wondering how a band like this can go around calling themselves Blac Jesus, or think it controversial… But there’s a perfectly tangible explanation: it’s a guitar, man!


“It’s funny, people think I’m Blac Jesus!” says Willis through a good laugh. “But I’m like, ‘Yo dude, I got this guitar, man.’ And I actually have this little decal, this transparent decal of Jesus on it, but he’s black, man, you know?”


The story of the black guitar and how it saved Willis is a story which finds him lifted from dark depths, back into music and onto the stage, with a band and Blac Jesus in hand, to deliver their music for the soul.


“We’re pretty heavy with it man.” And while cracking up, Willis adds, “It doesn’t do anything but make the music better.”




Saint James Band (listen here)




“I’m 51, but don’t tell anybody that, all right? The guys I’m playing with are like in their twenties.”

Saint James Band presents a curious dynamic which finds 51-year-old veteran guitarist George Castrinos, who’s played with the likes of Larry Taylor (Canned Heat), Chris Robinson (The Black Crowes), and bluesman Robert Lucas, jamming alongside two young gents in their twenties.

Castrinos (guitar, vocal), currently based in Los Angeles, actually used to live in Hermosa Beach and played The Lighthouse frequently throughout the 90s. He brought on Curran McDowell (bass, backup vocal) and Ethan Yeager (drums, percussion, backup vocal), who were already friends and schoolmates in Berkeley, after they passed auditions in answer to his Craigslist ad. The result?

“I guess you would call it rock, bluesy rock, with a little bit of folk,” says Castrinos. “Almost kind of like, honest. I wanted to do an honest record.”

Well, he’s not wrong. Saint James Band’s debut LP Who You Are is due to drop in about a month, and it’s totally honest, bluesy rock with a little bit of folk – more rock than folk. It really kicks when it’s time to kick, tender when tenderness beckons, and catchy with just enough nastiness to still be good.

Castrinos need not worry about the considerable age gap, the record sounds like it was made by a few fine musicians not a day over their mid-twenties to thirties. Additionally, the age spectrum lends itself nicely to the band’s appeal, with apparent wisdom wrapping itself comfortably around youthful vibrance. At any rate, it seems to be working since Saint James Band recently opened for Edward Sharpe and the Magnetic Zeros. Or, maybe it helps to have a little connection…

Referring to Jade Castrinos of the Edward Sharpe outfit, Castrinos says, “My daughter is the singer in the band, so we have a little connection.”

In fact, not only has George Castrinos played with Edward Sharpe and the Magnetic Zeros, but he plays slide guitar on their track “Fire Water.” He’s also contributing a bit of playing to Jade’s forthcoming solo record. And while there’s absolutely no plan for a collaboration here in Hermosa Beach, Castrinos does point out that when Jade’s in town she likes to join her father on stage for a bit of singin’ the blues.




Easy Reader & Dirty Hippie Radio present: The Hollow Legs, Blac Jesus & The Experimentalists, and Saint James Band at Saint Rocke on Wednesday, Feb. 27 at 8 p.m. Craft beer specials, $5 cover.



*Originally written for print in the Easy Reader newspaper by Jeff Vincent, DHR.

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Nature's Son - Unknown Dream (LP)
Nature's Son - Unknown Dream (LP)
Garage and indie rock with a dash of psychedelia.
Price: $3
Soulular - Recreate (LP)
Soulular - Recreate (LP)
Electronic, downtempo, dub, ambient, bass music.
Price: $Donation
Your Price: $ 
Soulular - Thoughts Float (LP)
Soulular - Thoughts Float (LP)
Electronic, downtempo, dub, ambient, bass music.
Price: $Donation
Your Price: $ 
Superunloaded - 5 Songs (EP)
Superunloaded - 5 Songs (EP)
A big rock sound mixed with electronica.
Price: $3.99
Juleah - Juleah (EP)
Juleah - Juleah (EP)
One-woman psychedelia.
Price: $Free
Shine So Hard - The Shoreline at Sunset (EP)
Shine So Hard - The Shoreline at Sunset (EP)
Indie, post-punk, fuzzy-dreamy-rock.
Price: $3
Your Price: $ 
Kissing Cousins - Unfortunate End (EP)
Kissing Cousins - Unfortunate End (EP)
All-female rock.
Price: $Free
Froth - Gas Money demo (EP)
Froth - Gas Money demo (EP)
Garage, psych, low fi, surf, shoegaze.
Price: $Donation
Your Price: $ 
Temporal Love - Temporal Love Expands (LP)
Temporal Love - Temporal Love Expands (LP)
Blues, psych, funk, rock.
Price: $Donation
Your Price: $ 
Alma Desnuda - Middleway (LP)
Alma Desnuda - Middleway (LP)
Acoustic rock, soul.
Price: $Donation
Your Price: $ 
Alma Desnuda - Baduquai (Single)
Alma Desnuda - Baduquai (Single)
Acoustic rock, soul.
Price: $Donation
Your Price: $ 
Jett Pink - Loretta (LP)
Jett Pink - Loretta (LP)
Folky blues.
Price: $Donation
Your Price: $ 
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