Brook and River and their small smiles

There’s something called small smiles. It’s a quirky approach to smiling, in which the smiler attempts to suppress the smile to a restricted breadth. It sounds silly, and it is, maybe even eerie, like something from The Twilight Zone; but it’s also quite difficult to achieve, the primary obstacle being laughter. To simply not smile largely seems to affect the opposite, and the act of smiling small usually ends with a giggle. While the small sensation may not be sweeping the nation, it does enjoy a local following: mainly, the band Brook and River and their friends.

“I can’t not small smile anymore, it’s just built in,” says Grady Bell of Brook and River. “It’s just an expression… just a smaller than normal smile… It’s like a triangle face, you could call it, it looks ridiculous… It just looks stupid, and all our friends decided to do it because they’re idiots,” he says, with a rather large smile.

Brook and River is a burgeoning and constantly evolving rock and roll pop group with deeply anchored South Bay roots. They originally formed in Santa Cruz about 3 years ago when two Mira Costa grads began playing music under a moniker taken from the pages of Siddhartha, by Hermann Hesse. Grady Bell (bass, guitar, vocals, songwriter, class of ’08) and Michael Hiller (guitar, bass, vocals, songwriter, class of ’07) essentially started out as a psychedelically derived acoustic folk rock duo, basing simple songs around harmonized vocals and drippy instrumental wanderings.

Brook and River performing at Neetoh Mag online live gig.

“Grady and I moved up to Santa Cruz with the intentions of getting out of LA and writing a shitload of songs, and playing shows five times a week,” says Hiller. “We started playing acoustic stuff, based around simple chord changes and catchy melodies… it was just Grady and myself and two acoustic guitars, and a shaker… Grady and I wanted to try more, add more… We both had drums in mind, and since we didnt know anyone there yet we put out a Craigslist ad and our first response was Sean.”

Brook and River expanded their approach with Sean Erickson on drums, and the band quickly turned out the full-length LP “Inside Voices” in 2010, with a catchy rock and roll sound that still carried the folk-psych element from their beginnings. But the youthful bands artistic hunger yearned for further growth. For a time, their lineup included fellow Costa grad James Watson on organs, and current member David Joseph on trombone and trumpet.

“It soon just turned into rock and roll and there was nothing we could do to stop it,” says Hiller.

As represented on their followup EP “Walk and Roll” (2011), their blossoming sound soon became an extremely catchy psych-pop sound — with a refined focus on Beatle-esque backup vocals and more of an emphasis on concise, albeit powerful electric guitar solos. The track “NS #2″ was actually featured in the clip for Best Video during the 2011 Surfer’s Poll awards. The band has also attracted airplay from LMU and USC’s campus radio stations.

To date, Bell says they’re currently applying an even more pop-oriented approach that is more melody-influenced with the addition of the trombone, the absence of organ, and slightly less focus on rocking guitar solos.

“Nowadays, we are incorporating more of an indie rock feel,” he says. “Our main influences consist of bands like The Shins, Wilco, and friends we’ve been playing with from around the area, such as Pratley and Fiore. The classic psychedelic rock sound that you can hear on our previous EP is still present, but there is a more poppy feel.”

Their perpetually shifting sound is projected to produce yet another LP by summer 2012.

Brook and River performing in cape attire at Saint Rocke

So by now, you’re probably still wondering what on earth unnaturally repressed smirks have to do with anything…

1. The act itself was created by the band’s friend and former MCHS classmate Ian Webb; who operates in the same musical circle as Brook and River while playing in the band Whippoorwill.

2. The fact that the act caught on and asserted itself as a fixture throughout their peer-base is reflective of the band’s infectious quality, both on and off stage.

3. Ultimately, the nature of the small and seemingly useless phenomena evolved into something more focused: Small Smile Records.

Bell explains, “Small Smile Records is a relatively new artist collective created by our friend James Watson. It’s comprised of musicians, artists, photographers, sculptures… all of whom are close friends. We haven’t done much with it yet, but hope to book events and post various projects for the world wide web to see.”

Some of the bands in the collective include Fiore, Whippoorwill, Criminal Hygiene, and Pratley (to which former Brook & River member James Watson belongs).

DHR attempting small smile w/ Brook and River

After just having performed at the prestigious Saint Rocke in Hermosa beach, B&R will also be playing the Catalyst in Santa Cruz on Apr. 25, and has plans to do a mini-west coast tour this summer to promote their forthcoming LP.

Listen to Brook and River and Fiore now!

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Ticket giveaway for guitar legend Phil Keaggy!

Hendrix, Clapton, Keaggy: forgotten legend plays Brixton

The legendary Phil Keaggy plays Brixton Sunday night, located on Redondo Beach pier.

Hiding in the shadows of rock and roll’s guitar greats, like a bursting blast of light for those who find him, and a legend to those who always knew him, is one of the more gifted giants who simply slipped away from common knowledge. Regardless of whether his name is spoken across the dinner table, he remains in rank with the upper echelon of players like Jimmy Page, Jeff Beck, Eric Clapton, Jimi Hendrix, Michael Bloomfield, Duane Allman, or Stevie Ray Vaughn. He is Phil Keaggy, he’s a guitar genius, an unknown legend, and he can’t read a lick of music!

“I can’t read a note,” he says. “I can’t even read tablature; but I can read my fret board. I can close my eyes and play by faith, and not by sight.”

Phil Keaggy, now at age 61, co-founded one of the first Christian-rock groups all the way back in 1968; in the form of an Ohio-based power trio called the Glass Harp. Together with John Sferra (drums, vocals) and Daniel Pecchio (bass, flute, vocals), the band carved out a solid name for themselves in the early 70s. They recorded 3 studio albums between 1970-72, blending delicate and tear-jerking melodies based around beautiful song and Keaggy’s acoustic guitar skill, with face-melting electric rock n’ roll that was nothing short of mind-blowing. Keaggy’s dynamic playing was and is distinctive for its seamless quality. His fingers travel the entire body of the guitar with such sweet fluidity it makes melted butter jealous.




In common with the 3 Jimi Hendrix Experience studio albums, Keaggy’s playing on the 3 Glass Harp records is relatively subdued in comparison to the unbound energy which unleashes from his soul in live performance. In fact, Glass Harp’s live shows are the stuff of legend, often culminating in a 29 minute long medley woven into an epic journey – as preserved on their Live at Carnegie Hall album from 1972, which captured an opening set for The Kinks to astonished reaction from the audience. They were what you might call a “mean” Christian band; no literal connotation, of course. And speaking of audience, mythical legend claims that in awe of Keaggy’s prowess, both Hendrix and Claption once took their hats off to him as the greatest guitarist in the world.


Phil Keaggy with Paul McCartney

At the height of Glass Harp’s budding fame, Keaggy bowed out. In the wake of a spiritual rebirth, the guitarist’s journey bred the yearning for a different musical path. His newly-wed wife and belief in Jesus became the crux of his reassessed focus, and he wished to praise the gospel more deeply in his playing.

Keaggy recalls a funny story in which he remembers seeing an interview with Ted Nugent sometime after his departure from Glass Harp. Nugent mentioned him in the interview, communicating something along the lines of how Keaggy had gotten into religion and he hadn’t heard of him since. In fact, Keaggy had not gone away at all, he just slowed down the pace while embracing the calm of his faith and family.

“I turned into more of a gentle melody man,” he says, “even though I could still rock hard on the guitar!”

In fact, he pursued a prolific solo career in the decades following the breakup of the trio, has since made over 50 records, has received several awards and Grammy nominations, has been frequently listed as one of the world’s top-three finger-style/finger-picking guitarists by Guitar Player Magazine’s readers’ polls, and continues to actively record and perform today. As well, Glass Harp reunited 9 years after his departure, with the result of performing together about 3 times a year to this day.

To be sure, Keaggy can still rock (as was demonstrated to me during an interview), and he is still one of the all-time greats.

“I don’t see myself as great,” he says, “because I know of too many greats. I’m a grateful musician, I’m glad my fingers work great.”

Phil Keaggy will be making a solo acoustic appearance at Brixton this Sunday, Apr. 1 on the Redondo Beach pier. Just him and his guitar with some loop pedals, Keller Williams style. Doors open at 6 PM, with supporting performances from Nick Sherwin and Whitney Steele beginning at 7. Tickets are $15. The reality is, if this were a Jeff Beck show, or even Peter Frampton, throngs of fans would flock robotically toward the stage… That’s exactly what this should be. See you there.

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DHR Presents live at South Bay Customs w/ Cab 20, Temporal Love, and Hang Dog Expression 3/31/12

Jason Almanza, Eric Contreras, and Bert Hoover of Cab 20 during a live performance at KXLU 88.9 FM Los Angeles. The band is performing at South Bay Customs in El Segundo on Saturday, Mar. 31. Photo by Jeff Friebourg

If the South Bay music scene lacks in anything, it’s a selection of venues beyond the boxy paradigm of the bar-club circuit, joined hand in hand by a sparsity in all age shows. Patrons and bands alike go wanting for that cool warehouse venue or art gallery scene, where common respect and a good time supersede excessive rules and stuffy conduct. With the help of Dirty Hippie Radio and South Bay Customs, local band Cab 20 has procured just that.

“There’s no local scene here for a place to play that’s not a bar, so we wanted to put a cool South Bay show on,” says Bert Hoover, guitarist of Cab 20.

Hoover phoned me, posing the great question if I knew any interesting places to play in the South Bay that’s not a bar or club. Cab has gladly played the local bars (which 2/3 of the band aren’t old enough to drink in), the clubs, the sought after Saint Rocke… but like so many shows they’ve played in Los Angeles, they were looking for that different venue here at home suitable for a rock n’ roll band. The first thing out of my mouth was one of the South Bay’s best kept secrets: South Bay Customs.

South Bay Customs is a custom American motorcycle shop located in El Segundo. The warehouse/lodge style atmosphere is profusely adorned with an intricate art gallery which surrounds a stage. The owner Michael Schreiber opens his doors to local bands.

“We checked it out, and it was super rad,” says Hoover. The result? Dirty Hippie Radio Presents: Live at South Bay Customs with Cab 20, Temporal Love, and Hang Dog Expression on Saturday, Mar. 31.

It so happens that the establishment is also only about a 5 minute walk from this El Segundo-based rock n’ roll band. Cab 20 is: Hoover (guitar, vocals, lyricsmith), Jason Almanza (bass, backup vocals), Eric Contreras (drums, percussion). Nineteen year old Contreras resides in Fullerton, while the others are El Segundo locals. Almanza was El Segundo High School class of 2003, and Hoover was 2011.

Inspired by an array of acts like Queens of The Stone Age, Faces, Black Rebel Motorcycle Club, Rolling Stones, T. Rex, The Willows, Kyuss, The Greenhornes, Sleep, and Fu Manchu, this local rock band boasts a raw punchiness in its otherwise difficult to describe sound. They’re heavy, but not enough to be hard rock. They’re indie, but not enough to be boring and flat. They wander, but not enough to be completely psychedelic. And they’re not sloppy enough to be garage. It’s really just good rock and roll.




“We always get put into categories that we don’t fit in,” admits Hoover. “I always tell people it’s rock n’ roll… I like to think that we sound like my two favorite bands: Queens of The Stone Age and BRMC.”

“That’s really what we sound like, honestly,” adds Almanza.

“And who wouldn’t want to sound like their two favorite bands?” continues Hoover. “Because if you’re not enjoying what you’re playing, what’s the point?”

Many draw comparisons to early Kings of Leon and Black Keys, as well as The White Stripes; Hoover does acknowledge Jack White as an influence. Cab finds freedom through their overlapping genres to play with a broad spectrum of different bands.

Almanza says, “We can play with like a surf band one night, come on after them and keep the pace… the next night we’ll play with a jammy psych band and we just play in that pocket for the whole night.”

“I guess we’re like silly putty,” adds Hoover.

Ultimately, Cab maintains their own distinctive sound; one in which Hoover claims will leave a taste in your mouth with its musical fist.

So far these guys have cut a self-released debut LP titled “Dirty Smiles,” a follow-up self-released EP called “Cactus,” and are currently finishing up a new full-length with producer and Manhattan Beach resident Krish Sharma (who also produced a recent Rolling Stones album, as well as the “Exile on Main Street” rerelease), which will be pressed and put out by Mock Records of Echo Park in late spring/early summer. They also have a split single due out soon with the psychedelic band Mr. Elevator & the Brain Hotel.

Cab 20 performs this Saturday, Mar. 31 at South Bay Customs in El Segundo (located at 115 Penn St.) with Hermosa Beach blues-rock band Temporal Love, and opening support from El Segundo folk band Hang Dog Expression. The show is free and all ages. Doors open at 7 p.m., music at 8. For more info visit www.southbaycustoms.net. Official after party at Gasser Lounge. Cab 20 is also performing at the House Of Blues in Hollywood on Apr. 27, and the Mock Records launch party at The Smell in downtown Los Angeles on May 26. You can listen to Cab 20, Temporal Love, Hang Dog Expression, and Mr. Elevator & the Brain Hotel on www.DirtyHippieRadio.com.

*Originally written for print in Easy Reader newspaper by Jeff VIncent.


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Laike acid folk LP just added from Sweden!

The first and only words to us from Christofer Ståhle were, “I’m a dirty hippie who just released an acid folk album…” Boy, did he pick the right website to reach out to…

Ståhle hardly could have known that I, co-founder of DHR, possess one of those strangely unique penchants for acid folk music. In particular: U.K. acid folk, which is the realm wandered by Laike: Ståhle’s solo project that brings us the LP “Långt från stadslivets dån” (Far From the Noise of The City). By the way, he’s Swedish and the album is not in English!

*Note on Acid Folk: The term refers to the psychedelic-folk fusion style of music that was pioneered in the late 60s and early 70s. There are two primary branches of the genre, being U.S. and U.K. With bands like The Insect Trust, The Holy Modal Rounders, and and Kaleidoscope, the American brand is based in southern folk, Appalachian mountain folk, country… fusing banjo, fiddle, mandolin, harmonica… with electric guitar, sax, and distortion. With bands like Fairport Convention, Pentangle, Trees, and Steeleye Span, the U.K. sound stems from relative indigenous lore – based in medieval and Celtic roots, blending slippery psychedelic intellect. Fiddle in the form of jig vs. that lonesome down home American sound… picking and pinging electric guitar vs. splattered guitar shreds… bells, keys, glocks, sitar… Woodwinds and flute are prominent from both sides of the acid folk pond.




There are detectable elements of U.K. acid folk influence all over “Far Away From the Noise of The City,” aptly titled for fact that most of the album was recorded in the quietude of the countryside (near the town of Lund, where Ståhle lives beside the biggest field in Sweden). Here, he could sit and think about arrangements without stress (reminds me of Faust, or Kraan). Ståhle also spent 6 months in Shanghai, where he collected atmospheric sound recordings from inside an oil cisterno – which were used for psyched out interlude segments on the album. He is currently working on another new album, and we look forward to it.





Album details:


Christofer Ståhle – singing, guitar, flute, piano…
Joel Munther – bass and backing vocals
Jerker Wennström – drums and percussion
Sanna Sender – recorder
Albin Johansson – wurlitzer electric piano and synthesizer
Johan Malmberg – violin
Olof Svensson – electric guitar
Mats Björk – psychedelic sound engineering
David Svedmyr – Zither, sitar, mellotron and chimes
Mark Pavey – Mastering

Also released on the British label Les Cousins Music on 27 of February 2012.

 

 

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DHR hosts Latin-psych hour on Levitation Radio KXLU 88.9 FM Los Angeles 3/22/12

DHR will be co-hosting a special show tomorrow Mar. 22 on Levitation Radio 88.9 KXLU Los Angeles. It’s KXLU’s noon-3 Thursday slot for garage and psych from today and yesteryear – as well as whatever the DJ damn well feels like spinning; be it blues, funk, or some freaky French cuts. And tomorrow we got Latin psych!

Over a year ago, Levitation Radio granted us a birthday wish: to play 3 hours of Latin American psych and Brasilian Tropicalia. It was delicious. This time around, we’re doing a Special Edition Latin Psych hour from 2-3 P.M. (and yes, the Brasilians will be there too). Cutting down 6 hours of prospective material to fit the 1 hour slot now… ¡Chucha madre!

You can expect to hear some Los Jaivas, Congreso, Manal, Genesis (Colombia), Los Speakers, Os Brazoes, Gal Costa, Traffic Sound, Os Mutantes, Laghonia, Caetano Veloso, El Alamo, Sui Generis, Pan y Regaliz, Bwana, Los Blops, Embrujo… So, so many. We hope you’ll tune in for this extremely niche-oriented, educational musical journey.

Listen to KXLU live online now!

 

 

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Dark Beatles dwell in Mini Mansions

Mini Mansions perform Sunday, Mar. 18 at Saint Rocke in Hermosa Beach, Ca. (Photo by Dustin Rabin)

Pretty much everyone loves The Beatles, except this one guy I know. He says they’re too “bubble gum pop.” In that case, he and any of his sacrilegious kind may very well prefer a Los Angeles/San Fernando Valley band called Mini Mansions. They possess a distinctly Beatle-esque pop appeal, but it’s impregnated with a darkness. There’s something a little more sinister, raw and nasty there, and new. Nonetheless, for anyone I’ve ever introduced to the music of Mini Mansions, they all agree that it sort of comes across like a late 60s era “Dark Beatles.”

The band proposes that they generate a Technicolor spectrum of sound drawn from baroque, gothic, psychedelic, and cinematic realms, suggesting that if pure sound had the capability to project images on blank walls they’d be worthy projectionists. In reference to their most recent release, a self-titled LP, they claim it curtsies to the past, bows to the present, and foreshadows a progressively more abstract future.

They are Tyler Parkford (keys, guitar, vocals), Zach Dawes (bass, keys, vocals), and Michael Shuman, also of Queens of The Stone Age (guitar, drums, vocals). They formed in 2009 when Shuman was on break from his other band and joined forces with two longtime friends to create Mini Mansions.

When pressed for a less abstract description of their sound, Dawes says, “To us it’s pop music. But the pop music we like, which got lost under MTV and bad radio, I guess. I think the nature is much like California: not surprised when it’s sunny, but love the gray parts too.”

To Parkford, their music is imbued with drama, fantasy, horror, and romance. Elements which are well-expressed on their LP, in feeling if not always in words.

All stabs at intangible or tangible references aside, Mini Mansions do create their own uniquely intelligent and infectious, pop-oriented sound. One in which songs constrained to the pop format of no tracks over 5 minutes are still able to take listeners on colorful, mood-splattered, and sometimes even unpredictable journeys.


There’s also humor. Not so detectable in the music, but in the artists themselves. Dawes recalls how they came up with the oxymoronic band name.

“I was making breakfast one day and when the toast popped up it said Mini Mansions – kind of like that Virgin Mary grilled cheese that was on eBay awhile back.”

Parkford concurs in saying, “It just kind of popped up. Not too big, not too small – just right.”

To be sure, these boys are serious about their music, and making music; but all the same, they appear to entertain a great sense of humor about themselves and what they’re doing. A humor which seems to energize the music through a joy that also allows it to be a bit playful.

Self-titled LP debut, 2011

Prior to their LP, which was released on Rekords Rekords in 2011, Mini Mansions put out a limited 7-inch and a self-released debut EP. They’ve taken loads of road excursions throughout the country, as well as numerous retreats to Canada, and have performed alongside The Kills, Them Crooked Vultures, BRMC, The Dead Weather, and Autolux. Their first tour with Autolux being Parkford’s favorite.

As for what’s brewing… Parkford says they’ve just finished playing a beautiful game of pickle between an EP and an LP. Dawes adds with certain sincerity, “We are currently working on our new recording called Flux Capacitor, so we can see what’s in store for the future.”

Whatever, Doc Brown… At any rate, it looks like new songs are already leaking out at performances, and I’m guessing audiences will be able to look forward to a follow-up full-length within the year. Listen to Mini Mansions now!




Mini Mansions perform at Saint Rocke in Hermosa Beach this Sunday, Mar. 18 with our very own Fartbarf, and Venice Beach band the Muddy Reds. All 3 can be heard on DirtyHippieRadio.com. MM will also be performing at Tin Can Ale House in San Diego on Mar. 17, Royal House Music Indie Fest in Las Vegas on Mar. 23 with Starfucker, The Whigs, and CSS, and in San Francisco at Cafe Du Nord on Mar. 30.


*Originally written for print in the Easy Reader newspaper by Jeff Vincent, DHR.

 

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C-horse March residency at Casey’s Irish Pub

Casey’s Irish Pub in downtown Los Angeles continues to provide free live music with resident bands from the area’s finest local crop. We’ve seen killer shows from Seasons, Manhattan Murder Mystery, The Terrapin… Fridays in March belong to C-horse.

Mr. Mack Marquard holds down keys in what is otherwise the all-girl retro-pop act from Pasadena, C-horse. Brainchild of guitarist/vocalist Cecilia Enriquez, the band has taken form and flight with Lindsay Mancha on bass/vocals, and Courtney Olsen drums/vocals. Their bubbly sound conceals a light dose of dreamy, psychedelic undertone – which dims the sunshine down enough to avoid the sticky realm of bubble gum pop. Their infectious tunes have earned them airplay on KXLU 88.9 FM Los Angeles, and a welcome spot in DHR’s rotation.

C-horse will be continuing their Friday residency at Casey’s Irish Pub in Los Angeles with performances on Mar. 23 and 30, and they’re also playing Silverlake Lounge on Apr. 24.

Listen to C-horse now! and Like C-horse on Facebook!

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Working Class Country Music: The Midnight Screening

“Thanks for showing interest in our little hillbilly act.”

The first words offered me by a beautiful band. Beauty to begin with, because there’s omnipresent virtue in gratitude; some even say heaven. Beauty thereafter, because the music is true; and so is their story. They’re a good ol’ country band. Two brothers, from a working class desolation. A real band, an honest band. They’re The Midnight Screening.

Chuck and Matt Herman of The Midnight Screening performing at Kegs in Redondo Beach, CA (photo by Anthony Hernandez)

They’re very much a Redondo Beach, California band, having gained most of their following by playing at Kegs every weekend, and being taken under the wing of local peers Barley Legal. Yet, Chuck and Matt Herman (ages 25 and 23) were born and raised in Signal Hill, California, on an oil field.

According to a study conducted by the Coastal Research Center at the Marine Science Institute at UCSB, “Signal Hill… would soon become part of the Long Beach Oil Field, one of the most productive oil fields in the world.”

Chuck reflects on the lifestyle of living on the field. “I don’t wanna say White trash… it’s kinda tough. There’s a lot of bikers, Hell’s Angels… you observe it, a working class lifestyle… it’s hard work, but it’s honest work, and that’s what we try to do with our band… We always tie our upbringing into our music, ‘cuz it really helped shape it… sometimes it’s really crass to people, but it’s honest… We’re not bullshitting songs, the songs we write come from actual experience.”

Before Chuck played bass guitar and kick drum in this country outfit, sharing vocals with his brother Matt, who plays acoustic guitar, hi-hat, and harmonica, they were both honing in their chops within the Punk/Rock sphere (a la Bad Brains, Fugazi, Minor Threat). In their younger youth, they hadn’t quite begun to evoke the grit beneath their nails and dirt below their boots to make music. And then there was Mr. Herman Sr.

“My old man was a character,” says Chuck. “The closest thing to Clint Eastwood. The main character that Clint Eastwood plays in Gran Torino is just like my fucking dad, verbatim. It’s crazy! If you wanna say the term outlaw, that was him. My dad lived that lifestyle… a very loving man, but if you got on his bad side he could be a helluva dick… He ran with really hardcore bastards, and embodied that lifestyle… If it’s good or bad, and a lot of it’s bad – but the freedom aspect is something that I admire, pretty much do what you want to do.”

The nature of roots Country music, which is the type these boys play, presents a paradox in and of itself: the songs are typically hard, coarse, and brutal, while also carrying a soft tenderness that could bring tears to the Devil’s own eyes. Mr. Herman Sr. seems to have embodied exactly that. The honorable outlaw, the hard teddy bear.

Even though their father wasn’t particularly into music, Chuck says, “Whenever he’d come home from work, he’d have a beer and put on Country music. He’d put on ‘Take This Job and Shove It’ [by David Allan Coe] everyday when he’d come home… We couldn’t fucking stand it! My sister and Matt and I would sit around and make fun of it… but one day I found his Hank Williams album, Matt and I, and we’d kind of joke about it… Before long, Matt was singing Hank Williams songs… and we moved away from Punk. And now I love old school Country, I can’t get enough of it!”

Some people refer to The Midnight Screening’s sound as “Punk-Country,” which Chuck attributes to a high-energy element carried over from their Punk-Rock background; though, he doesn’t feel that the energy actually transcends genres.

He says, “We’re pretty much just a Country band, maybe with a modern twist. Some people call us Punk-Country, but I just think it’s old school Country music.”

It’s no surprise that the brothers soon found considerable direction from Country and Folk heroes like Steve Earl, Bob Dylan, Johnny Cash, Waylon Jennings,  Gillian Welch, Hank III, and Woodie Guthrie. Basically, who Chuck calls all the old school Country guys that kept it honest. But it all stems from the influence and upbringing by their gruff old man, without which Chuck claims they wouldn’t even have the balls to be doing a two-man band.

Chuck derived the name from a college film class, where they talked about off the cuff midnight movies like Eraser Head. With a nod to the off-kilter film genre, he thought The Midnight Screening would be a cool name. “I always wanted a folk project, but wanted it to be kinda different. Kinda like, bring excitement back into it… When a lot of people think about Folk or Country music, they think about downtrodden, boring songs. We kinda wanted to prove them wrong.”

The Midnight Screening has one EP called “Chasing Vincent Wolf” (2008), and are finishing up a new EP/LP titled “Raisin’ Glasses and Taxin’ Asses,” due for late spring/early summer release. They’ve received FM airplay in Oregon, and out of about 1,000 bands were ranked #19 in the Examiner’s 2011 Top 25 Bands of Long Beach. They’re performing this Saturday, Mar. 10 from 3-6 P.M. with Barley Legal at Kegs in Redondo Beach (located at 120 International Boardwalk), and Friday, Mar. 16 at Brixton on the Redondo Beach pier with Gamblers Mark, Crown City Bombers, and Gino and the Lone Gunmen. Their debut EP can be heard on DirtyHippieRadio.com. More info on the band at facebook.com/themidnightscreening.

Listen to The Midnight Screening now!

*Originally written for print in the Easy Reader newspaper by Jeff Vincent.

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VUM LP “Night Sun” recently added!

As wolves serenade the Moon,
She smiles at their croon,
While wading in glimmering pools,
Rolling eyes at crazed fools,
Admiring herself with silver giggle,
Hiding beneath the shimmering riddle,
That no creature dances tonight,
Below magical moonlight,
For she knows she has none,
They worship the Night Sun.

Night Sun, by Jeff Vincent (inspired by The Moon, Donner Pass, and VUM)

Our placid pools were so disturbed by VUM’s debut release of “Strange Attractor,” that we  tossed and turned sweaty nights away in angst-riddled anticipation for the follow up LP. Like a beacon for those dreadful hours of darkness, “Night Sun” finally appeared. It’s a trippy journey best taken with headphones, high volume, and low light; ideal for brooding over the maddening roads of the interminably dark void of spiraling thought. (Yes, I was driving long distance, alone, in the midst of night when I first experienced the album in its proper entirety.) “Night Sun” deepens the thickness of mystery, emotion, and solemnity for which VUM has become known.

Friends and musicians join the Pearl-Badger duo (ex-Lion Fever and Lost Kids, current-Grand Elegance) for the creation of “Night Sun,” expanding their dynamical minimalism beyond the keyboard/guitar base that is their foundation. Jungle-choked tribal interludes suffuse 12 grave tracks of pure Pagan ceremony. It’s like an initiation to the occult of the swirling matter of existence; from volcano to jungle, asteroid belt to ocean, insect to office space. Think Pink Floyd “Ummagumma/More” meets the color of King Crimson’s “Islands” shown in black and white, meets The Heart of Darkness projected in LA Noir.

Limited to 300 hand-numbered vinyl copies (I scored #22, which happens to represent both my lucky number and birth number 11-11), “Night Sun” was recorded in the canyons of west coast California and the jungles of the South Pacific; and partially put down in Neil Young’s former house where “After The Goldrush” was recorded. It was pressed on high quality vinyl and comes in eco-friendly packaging (including recycled paper jackets printed with soy inks in the the traditional offset printing process by Stumptown Printers). VUM certifies that 10% of the proceeds from LP sales will be donated to the Atitia Center in Mo’orea, French Polynesia – a place where traditional Tahitian culture meets cutting edge scientific concepts. Vinyl album includes immediate digital download of just about any format you could possibly desire.

-Jeff Vincent, DHR

Listen to “Night Sun” now… or Purchase “Night Sun” here

VUM- Remember Me from Secret Lodge on Vimeo.


 

Night Sun vinyl flap seal featuring quote from DHR

 

 

 

Posted in About the Music, Articles, New Music, Videos | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

Grit Dogs play Hot Rod Magazine Cruise official after party at South Bay Customs American Motorcycles

Grit Dogs perfrom this Saturday at South Bay Customs in El Segundo

“My grandfather Bob Adkison was a real character: a cowboy, a gambler, and a man who kept his word and expected the same. Ever since he first heard me play guitar, probably when I was 10, he insisted that I learn and play ‘Streets of Laredo’ at his funeral; a request he morbidly reminded me of till the day he died. For years I did my best to never learn or even hear the song, fearing it would somehow herald the end for poor Grandpa Fud. Well, the prophecy was fulfilled and I was obligated to perform it as his burial rights. That was pretty heavy and made me reexamine what I was doing with my music career. I decided to start singing and master the slide guitar.”

Michael Borden’s brief recount conjures a satisfied spectral grandpappy Fud, leaning back in a rocker, smugly smiling at his grandson’s acquiescence while knowing the musical path it laid before him. These images could possibly provide the cinematic platform for a captivating cowboy Western; instead they pave the way to Torrance, California, and the Grit Dogs.

Borden is the multi-instrumentalist and lead singer of the Torrance born n’ raised band Grit Dogs. In line with that cowboy depiction, the name actually means cigarettes – taken from a slang term Borden and his friend began using around construction sites they worked. The band primarily employs traditional folk instruments, applying a surprising range in their approach to creating one of the more unique sounds from a local band.

True Grit Dogs

They are Michael Borden (vocals, guitar, banjo, mandolin, ukulele, bass, etc.), Christian Sims (steel guitar, guitar, bass, vocals), Miles Eastham (keyboards, drums, vocals), Dave Gillen (bass), Robin Bailey (drums). Borden, Sims, and Eastham graduated South Torrance High School between 1992-93, and still reside in what is in some circles affectionately referred to as T-Town. Bailey found a homestead in Redondo Beach; Gillen’s posted up in Marina del Rey.

“Though Miles [Eastham], Christian [Sims], and I were all friends in high school, we didn’t actually start playing together until about six years ago,” says Borden. “Miles, Christian and I started out cutting our teeth on Johnny Cash and Hank Williams covers, working on our sound – which was raw and aggressive for Bluegrass and Country-blues tunes, and we just kept getting bigger, faster, louder.”

Borden continues. “Christian started out playing (electric) bass and had an unconventional style… propping his bass on the bar stool and playing it like an upright bass, which inspired me to build the electric washtub bass.”

The washtub bass

The whasha wha?

“I took all the parts from an electric bass and built them into the washtub,” explains Borden.

In the attempt to build Sims an upright bass, Borden (being an artist, painter, and sculpture) decided to create a unique instrument, as well as something functional but fun.

“It’s always a fun conversation piece…” he continues, “but it’s not an easy instrument to play. Christian is the only who can really play it, though Dave Gillen plays it too, but prefers regular bass. That unruly instrument still makes an appearance now and then under Dave’s experienced hands, while Christian now plays mostly steel guitar.”

Drawing on a mix of musical heroes, from Tom Waits to UB40, Johnny Cash and Hank Williams to Bob Marley and The Clash… Borden claims their influences are as varied as the music they play.

“I have a tough time describing what kind of music Grit Dogs is,” he says. “I think we play a few different styles actually. Some songs are Rockabilly, some are Reggae or Roots music, some are more Blues or Folk songs… We like a wide range of music and that is reflected in our sound. I really like using traditional folk instruments in unlikely or unusual ways. Like using a banjo on a reggae rhythm track, or using a ukulele for a lead on a bluegrass tune. I don’t know of any band I could compare us to. I would like to say the Black Keys, because I feel we have been moving in a similar direction, but our sound is still evolving even now. The last song I wrote is a reggae tune with a ‘50s Rock and Roll vibe.”

Grit Dogs are still in their recording infancy, with just a few finished tracks from their broad catalogue of unrecorded songs. Their music is available for free download on Myspace, but they like to give away copies at shows with the purchase of a t-shirt. If you prefer the more exciting and less lazy route, you’ll have your chance this Saturday: they’ll be performing at South Bay Customs in El Segundo for the official Hot Rod Magazine Cruise after party.

“We like playing in the South Bay, but try not to play the average bar gig anymore,” says Borden. “Opting for events at places like the El Segundo Driving Museum or South Bay Customs motorcycles. We also enjoy the friends we make doing our music, like the guys from Hang Dog Expression [El Segundo] and the Goodfellas [Hermosa Beach], who sometimes fill in as honorary Grit Dogs at our combined shows.”

Grit Dogs perform at the official Hot Rod Magazine Cruise after party this Saturday, Feb. 25 at 5 p.m., presented and hosted by South Bay Customs American Motorcycles (and art gallery), located at 115 Penn Street in El Segundo. As always with South Bay Customs, the show is free. For more information, you can contact the establishment at 310-982-1300. Listen to Grit Dogs now

*Originally written for print in Easy Reader newspaper by Jeff Vincent.

Posted in About the Music, Articles, DHR In Easy Reader, Upcoming Shows | Tagged , , , | Leave a comment

MUSIC LIBRARY

Click band names to explore artists' entire catalogues. Click album names to listen to full albums individually.

  • 5-Track & Glass Goblins

    Dome

  • 5-Track & Glass Goblins

    3 Moments Til Dawn (split Single w/ Marc Cantlin II)

  • A Bear With A Car On Top

    A Bear Has Landed

  • Aimee Lay

    Suncatcher

  • Al Lay

    Change

  • Alan Siegel (Dirdy Birdy)

    Alan Siegel w/ The Blank Tapes

  • Alan Siegel (Dirdy Birdy)

    Alan & Pat

  • Alejo Ferreres

    Chimichurri

  • Allah Las

    Allah Las

  • Allah Las

    Early Demos

  • Alma Desnuda

    Baduquai (Single)

  • Alma Desnuda

    Alma Desnuda EP

  • Alma Desnuda

    Middleway

  • Atlantic Line

    Exit To Intro

  • Avi Buffalo

    Unknown Album

  • Avi Buffalo

    ShUBB

  • Avi Buffalo

    Select Tracks + Demos

  • Avi Buffalo

    Santa Monica

  • Avi Buffalo

    Raccoon

  • Avi Buffalo

    Avi Buffalo's Album

  • B. Rad Blues Band

    2 Dam Happy (to Sing the Blues)

  • Barley Legal

    All Your Stories

  • Big Death

    untitled album

  • Big Whup

    No Mommy (single)

  • Big Whup

    Big Whup

  • Bill Adams

    Banty Rooster

  • BIRDHAND

    Birdhand

  • Black Apples

    Black Apples

  • Blonde Summer

    Eleganza

  • Blue Jungle

    Loveless Youth

  • Blue Jungle

    Baby Don't Cry

  • Boomstick

    Bare Bones EP

  • Brook and River

    Walk and Roll

  • Brook and River

    Early Works and Demos

  • Brook and River

    Inside Voices

  • Brown Irish

    untitled album

  • Buffalo Electric

    Buffalo Electric

  • Bushwalla

    Autodidactical Freestyle & Radical

  • C-horse

    C-horse

  • Cab 20

    Cactus EP

  • Cab 20

    Dirty Smiles

  • Canor

    vol. 1

    Download This Album
  • Chronicles of the Landsquid

    Untitled Works

  • Cindercat

    Remnants Of Earth

  • Cobalt Cranes

    In Media Rez

  • Cody Farwell

    Cody Farwell's Album

  • Collin Ludlow-Mattson and the Folks

    Collin Ludlow-Mattson and the Folks

  • Corey Adams and the Rabble Family

    !Oh, Califia!

  • Derek Philbert

    Demos

    Download This Album
  • Derek Philbert

    Get Well Soon (Single)

  • Diego's Umbrella

    Double Panther

  • Dirdy Birdy

    Sweet Potato EP

  • Dirdy Birdy

    A Headful Of Sunshine

  • Dirdy Birdy

    Imaginary Friend

  • Driftwood Singers

    Look!

  • Dumpstaphunk

    Everybody Want Sum

  • Elison Jackson

    Spectral Evidence

  • Elison Jackson

    Elison Jackson

  • Eyes Lips Eyes

    Blue Red

  • Eyes Of Nine

    E.O.N.

  • Eymarel

    Mary + Lee

  • Faking David

    Freedom of Expression

  • Faking David

    Eggshell White

  • Fartbarf

    Post Neanderthal Peel Sessions

  • Fartbarf

    Devotional Bootleg

  • Fartbarf

    Improv Cassette Vault: #001

  • Fartbarf

    EP

  • Fat Freddy's Drop

    Dr Booddigga & The Big BW

  • Fat Freddy's Drop

    Based On A True Story

  • Fiore

    Fiore

  • Fish Out Of Water

    The Dream

  • Fortunate Youth

    Up Lifted

  • Franklin For Short

    Dark Cloud

  • Geoff Geis

    Princess

  • Goldenspell

    Goldenspell

  • Goodfellas

    Acoustic Demo Cuts

  • Grand Elegance

    B-Sides

  • Grand Elegance

    Cold Winter Dreams

  • Grand Elegance

    Warm Summer Nights

  • Green Blossom String Band

    Green Blossom String Band

  • Grit Dogs

    Grit Dogs

  • GrooveSession

    Warriors 4 Peace & The Positive Movement

  • GrooveSession

    The Flying Burrito

  • GrooveSession

    Memoirs of Niwa

  • Groundation

    Here I Am

  • Halloween Swim Team

    Pitch Black

  • Halloween Swim Team

    The End Of The Sky

  • Hang Dog Expression

    Rough Blue

  • Hang Dog Expression

    The Black Album

    Download This Album
  • Hannah's Field

    Warriors Of Love

  • Hannah's Field

    Music Magic Medicine

  • HIGH & DRYs

    Lowest Fidelity Demos

  • Hindi Zahra

    Handmade

  • Hippie Cream

    Marty's Magnificent

  • Hippie Cream

    On The Moon

  • Hogz In Dandyland

    Across a Miracle

  • Iguanamen de Galapagos

    Iguanaamericana

  • Iguanamen de Galapagos

    Super Criollo Blues y Mas

  • Infantree

    Wouldwork

  • International Farmers

    King Of Defeat (Single)

  • International Farmers

    Closer Than Close

  • Jambalaya Brass Band

    It's A Jungle Out There

  • Jambalaya Brass Band

    What You Lookin' At

  • Jared Mees and The Grown Children

    if you wanna swim with the sharks....

  • Jared Mees and The Grown Children

    Caffeine, Alcohol, Sunshine, Money

  • Jason Flentye

    Lost Tapes

  • Jeffertitti's Nile

    Hypnotic River of Sound

  • Jerel Dutton

    Fight Back EP

  • John Craigie

    October is the Kindest Month

  • John Craigie

    Soft Hail

  • John Craigie

    Montana Tale

  • Johnny Mc Glinn

    Fall Single

  • Jon Eric

    That Was Then-This Is NOW

  • Judson and Mary

    In the Hands of the Sun

  • Kapowski

    untitled album

  • Keepers of the Sun

    Keepers of the Sun

  • Kevin Sousa

    Soul Seeking: A Crossing

  • Kevin Sousa

    More Stars than Sand

  • Kid Infinity

    Electric Candy

  • Kirk Joseph's Backyard Groove

    Sousafunk Ave.

  • Kyng Arthur

    Mystic Man

  • Laike

    Far Away From the Noise of the City

  • Lal Meri

    Lal Meri

  • Latch Key Kid

    Miracle Mile

  • Latch Key Kid

    Demo Album

  • Latch Key Kid

    All Becomes One

  • Lemon Sun

    Touch The Lightning Single

  • Lemon Sun

    Run With The Faithless

  • Lion Fever

    Haunted Water

  • Lion Fever

    Who Hears, Who Tells

  • Lion Fever

    Lustre

  • Lion Fever

    Widow's Walk

  • Lips and Ribs

    Males in Harmony

  • Lost Kids

    Belle Isle Is On Fire

  • Love Or Death

    Drugs At The Party (single)

  • Love Or Death

    Lvdh

  • Lugnoro

    Annorstades

  • Lugnoro

    Tellus

  • Lukas Nelson & Promise of the Real

    Wasted

  • Luke Philbert

    Shiverspine Magic

  • Luna Is Honey

    Copy Cats

  • Majek Fashek

    Little Patience

  • Majek Fashek

    Live at The Gig, Hollywood

  • Malachi

    Malachi

  • Manhattan Murder Mystery

    Women House

  • Manhattan Murder Mystery

    Manhattan Murder Mystery

  • Manhattan Murder Mystery

    Early Works

  • Marc Cantlin II

    3 Moments Til Dawn (split Single w/ 5-Track & Glass Goblins)

  • Mark Adams

    Rancho Deluxe/Brand New Weekend

  • Mark Adams

    Rancho Deluxe/True Freedom

  • Mark Adams

    Rancho Deluxe/Debut

  • Mark Adams

    Red Headed Step Songs

  • Mark Adams

    One Time Spaceman

  • Mason Rothschild

    Chips and Tits (Single)

  • Matthew O'Neill

    Starface Redux

  • Midnight Lamp

    Live at B.B. King's

  • Midnight Lamp

    Charlies Coolin' Down

  • Midnight Lamp

    Feelin' Alive at the Britxton

  • Midnight Lamp

    Whatch You Know About The Scoop

  • Midnight Lamp

    Better Days Ahead

  • Mike Milligan and the Altar Boyz

    Holdin' On

  • Mike Milligan and the Altar Boyz

    Going Up

  • Mini Mansions

    "Monk" b/w "Heart of Glass" 7"

  • Mini Mansions

    Mini Mansions

  • Mirror Mirror

    The Story

  • Mirror Mirror

    Segments

  • Mirror Mirror

    The Undivine

  • Mirror Mirror

    Strange Reaction

  • Mirror Mirror

    Our Past Lives

  • Mirror Mirror

    Monophonic Catatonic

  • Mirror Mirror

    In The Shadows

  • Mirror Mirror

    Intermission

  • Mister Dcell

    untitled basement works

  • Mr.Elevator & the Brain Hotel

    Staring at the Sun *SINGLE*

  • Mr.Elevator & the Brain Hotel

    Mr.Elevator & the Brain Hotel

  • My November Guest

    Sail Through The Heavens

  • Nacosta

    Liquor Eyes

  • Nacosta

    Wilderness City

  • Naima Earth

    A.M.A.R. Comp

  • Natural Child

    White Man's Burden

  • Natural Child

    Body Switchers

  • Natural Child

    1971

  • Nature's Son

    Unknown Dream

  • New Soul Underground

    Greasy Feet

  • Nicole Blanco

    The Undertow

  • Noah Engh

    My Black Gunner

  • Noah Engh

    3 Penny Opera

  • One Time Spaceman

    Ow!

  • oso

    Harm Reduction

  • oso

    Kuno Esama

  • oso

    Lonesome Tunnel Hum These Strong Arm Drones

  • oso

    48507

  • Owl Farm

    Owl Farm

  • Owl Farm

    Don't Stop

  • Penmanship

    Corridor

  • Pete Kershaw

    Bag of Treats

  • Pizza!

    Pizza!

  • Pizza!

    Bogus Rimshots from the Fourth

  • Pizza!

    What Is Love? ... I Just Drifted Away

  • Port

    Songs From The Aquarium

  • Quactus

    A Sense Of We

  • Remi Kabaka

    Kabaka Past, Present, and Future

  • Richard Weimer

    Broken-Hearted, Ragged and Dirty Too

  • Rockamovya

    Rockamovya

  • Rumberos De La Ocho

    Rumberos De La Ocho

  • Sand Section

    The Gun EP

  • Sand Section

    Pre-album Cuts

  • Sand Section

    Truth Over Harmony

  • Sara Dee

    the IN.JOY LP

  • Sara Dee

    We Can Be Love (single)

  • Sci Fi

    Sci Fi

  • Seasons

    Autumn

  • Seasons

    Autumn (Exclusive Preview)

  • Seasons

    Winter

  • Seasons

    Summer

  • Seasons

    Spring

  • Seth Pettersen and The Undertow

    Skate Away

  • Seth Pettersen and The Undertow

    So Fully

  • Shark Toys

    untitled album

  • Shoemaker Brothers

    On the Road

  • Sleepy Sun

    Spine Hits

  • Sleepy Sun

    Fever

  • Sleepy Sun

    Embrace

  • SmoothOp

    Bluewater Sessions

  • So Many Wizards

    Tree EP

  • So Wrong

    So Wrong

  • Sons Of An Illustrious Father

    One Body

  • Sons Of An Illustrious Father

    We Are Dead And Reborn EP

  • Sons Of An Illustrious Father

    Sons of an Illustrious Father

  • Soul Rebels

    Unlock Your Mind

  • Soulular

    Embrace the Flow

    Download This Album
  • Sounds From Atlantis

    Untitled Works

  • Sourgrass

    Mint Condition

    Download This Album
  • Spam Allstars

    Electrodomesticos

  • Special C

    untitled album

  • Spirit Vine

    Blue Star EP

  • Split Lip Rayfield

    I'll Be Around

  • Stab City

    untitled album

  • Stone Senses

    Harder Than The Rest

  • Sudakaya

    TERMINAL

  • Sugar Candy Mountain

    Sugar Candy Mountain

  • Suicide Cowboy

    Silvertrain

  • Suzy Husner

    Suzy Husner EP

  • Tall Tales and The Silver Lining

    Nice To Meet You Again

  • Tall Tales and The Silver Lining

    Fall In

  • Temporal Love

    Temporal Love (demo singles)

  • Terraplanes

    Take It On Down

  • The Big Jerks

    The Doubter

  • The Big Jerks

    Mark's Faves

  • The Big Jerks

    Gotta Live It

  • The Blank Tapes

    Invisible Colors

  • The Blank Tapes

    Listen To The One EP

  • The Blank Tapes

    Live!

  • The Blank Tapes

    Home Away From Home

  • The Blank Tapes

    Daydreams

  • The Blank Tapes

    Universal Western Attractions

  • The Blank Tapes

    Landfair

  • The Blank Tapes

    Friends & Favorites

  • The Body Parts

    Literal Pop

  • The Brothers Comatose

    Respect The Van

  • The Brothers Comatose

    Songs From the Stoop

  • The Cigarette Bums

    Silverlake Garage

  • The Cigarette Bums

    Early Demos

  • The Damselles & The TC4

    the damselles and the tc4

  • The Dirty Feet

    Act I: Manifestation

  • The Electric Habit

    The Electric Habit

  • The Fadies

    Fadies Ep

  • The Growlers

    Hot Tropics

  • The Growlers

    Greatest sHits

  • The Growlers

    Are You In Or Out

  • The Hectors

    Sometimes They Collide

  • The Imposters

    Animal Magnetism

  • The Leeches

    7"

  • The Littlest Birds

    Debut

  • The Littlest Birds

    Migrations

  • The Littlest Viking

    Labor & Lust

  • The Lovely Mark Lovely

    Flesh Fantasy Soundtrack

  • The Mantras

    Dharland

  • The Midnight Screening

    Chasing Vincent Wolf

  • The Motorboats

    "...Shall Never Sink"

  • The Muddy Reds

    Mannequin

  • The Muddy Reds

    Justle Hustle

  • The Myonics

    Pagans

  • The Myonics

    I Don't Give A Fuck About You

  • The Myonics

    Digits

  • The Myonics

    O Africa, Brave Africa!

  • The Myonics

    Moist Age

  • The Neckbeard Boys

    Live on KCSF 90.0 FM San Francisco

  • The Nucleus

    Love and Gold

  • The Reflectacles

    The Wiley Post EP

  • The Reptilianaires

    Demo

  • The Shaolin Surf Club

    Wander Maker

  • The Solar System

    Analog

  • The Solar System

    Materi

  • The Solar System

    Butterfly On The Wheel

  • The Spyrals

    The Spyrals

  • The Steppouts

    The Demons and the Devotees

  • The Stevenson Ranch Davidians

    Life & Death

  • The Stevenson Ranch Davidians

    Psalms, Hymns, and Spiritual Songs

  • The Terrapin

    innermachine

    Download This Album
  • The Terrapin

    Kill...

  • The White Buffalo

    Hogtied Revisited

  • The White Buffalo

    EP

  • Thee Original SB3

    Carnies

  • This Frontier Needs Heroes

    2012

  • Tijuana Panthers

    Max Baker

  • Tijuana Panthers

    Creature

  • Tijuana Panthers

    Tijuana

  • Tim Matson

    Where I Am

  • Timothy Rabbit

    Swim, Fish, Swim!

  • Tomorrows Bad Seeds

    Early Prayers

  • Tomorrows Tulips

    untitled album

  • Torches

    Heads Full of Rust (LP Preview)

  • Torches

    Our Daughters (Single)

  • Torches

    New Blood, New Sight (EP)

  • Vaudeville

    The Lovely Mark Lovely (Flesh Fantasy Soundtrack)

  • Vaudeville

    The Faces of Robert Owens

  • Vaudeville

    Crystal Lake (7 inch)

  • Vaudeville

    S.S. Insomnia

  • Vaudeville

    ...Presents The Planets

  • Vaudeville

    Devil's Knocking

  • Vera Gogh

    Universal Western Attractions

  • Vera Gogh

    Blue Pearl of Happiness

  • VonVeederVeld

    Morphic Resin Ants

  • VUM

    Night Sun

  • VUM

    Strange Attractor

  • War Drum

    Fortune Finder

  • War Drum

    At Old Trails

  • Weigh Station

    Exit 1 EP

  • Whispering Pines

    Family Tree

  • White Arrows

    Hearts & Lungs

  • Wooster

    Let's Get Crazy

  • Wooster

    The Heights Of Things

  • WrightWood

    Wrightwood

  • Yellow Souls

    untitled album

  • Yellow Souls

    Yellow Souls

  • Yo Mama's Big Fat Booty Band

    Now You Know

  • Yo Mama's Big Fat Booty Band

    Greatest Hips Volume II

  • Youthless

    Telemachy

  • Youthless

    Live Antena 3

  • Youthless

    Alec Masters 2

  • Zenda Marie

    Ancient

  • ZuhG.

    Free Love

  • ZuhG.

    Fish Tank

  • ZuhG.

    Life

  • EXPAND YOUR MIND